Posts Tagged ‘public art’

Louise Bourgeois

May 31, 2010

Conceptual artist Louise Bourgeois died earlier today in Manhattan at the age of 98. She will be remembered as one of the century’s most significant and influential visual artists.

Born in Paris in 1911, Louise Bourgeois lived and worked for most of her life in New York City.  Her career was notably long, with recognition not occurring until later in her life.  The last few decades saw exhibitions of Bourgeois’ work in venues at the highest level of the art world including the Venice Biennale (representing the United States), the Tate Modern, the Museum of Modern Art (NY), the Guggenheim Museum, and Centre Georges Pompidou.

A documentary film about Louise Bourgeois, The Spider, The Mistress and the Tangerine, was released in 2008.

Additional coverage:

Le Monde (French)

Los Angeles Times

ArtsBeat NY Times

Other resources:

2008 video interview with Nancy Spector about the Guggenheim exhibition and the art of Louise Bourgeois.

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The Tilt of Public Art: Cultural Communication & the Removal of Tilted Arc

January 27, 2009

In 1989 Richard Serra’s sculpture “Tilted Arc” was removed from Federal Plaza in New York City. “Tilted Arc” was a 120 foot long curved slab of patina covered steel that was positioned so that it diagonally bisected the plaza. Serra had apparently been promised, and created the work in consideration of, its permanence in the location. Amid public outcry and a subsequent appellate court decision which found that the site specific work, and Serra’s speech, was not destroyed or limited by the disassociation of “Tilted Arc” from the plaza location, the piece was dismantled and removed. It is apparently still owned by the GSA and stored in a government facility.

Anyone who has visited Federal Plaza, perhaps waiting in the early morning lines for the now named US CIS (Citizenship and Immigration Services, formerly INS) would likely have perceived the significance of Serra’s piece. In one aspect, it signified a certain impediment to the services rendered in the building, and perhaps of bureaucracy and policy as well.

The removal of “Tilted Arc” occurred before the U.S. adoption of the Visual Artists Rights Act (VARA) which is our version of federally-based moral rights for artists. VARA was adopted primarily to comply with the Berne Convention treaty, rather than as an altruistic attempt to protect artwork that was unpopular, like “Tilted Arc.”

As Michael Brenson’s Art View column (published in the NY Times at the time) suggested, in the aftermath of the “Tilted Arc” episode, government sponsored public art has become skewed towards the pleasing, rather than the provocative. If this is true, then the policy certainly dampens a certain level of cultural communication that can occur between challenging public art and individuals.

More:

Read the appellate court decision that resulted in the removal of Tilted Arc: Serra vs. General Services Administration on Artuntitled.com.

PBS article on Tilted Arc

Images of Tilted Arc, Google search results

For more on moral rights, see The Value of Art and the Natural Rights of Artists: A Discussion of Moral Rights